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Proenza Schouler turns on the waterworks at NY Fashion Week

In a stunning Beaux-Arts building that housed a bank in the early 20th century, Proenza Schouler designers Lazaro Hernandez and Jack McCollough presented a collection they said was a mix of their personal histories

By JOCELYN NOVECK
Published - Sep 10, 2022, 01:18 AM ET
Last Updated - Jun 24, 2023, 11:51 AM EDT

NEW YORK (AP) — Waterfalls cascaded down the marble walls of the imposing early 20th-century Beaux-Arts building where Proenza Schouler showed its latest collection at New York Fashion Week.

To be clear, the water wasn't actually wet, but rendered in video installations. Still, the soothing waterfalls set a strong sense of mood for the clothes on display in Friday's runway show — particularly the cascading ruffles gracing a number of the ensembles, either spilling down the back of a dress or “dripping” down a long sleeve.

In the Hall des Lumières exhibition space, set in the old Emigrant Industrial Savings Bank Building (an early example of a New York building in Beaux-Arts style), designers Lazaro Hernandez and Jack McCullough presented a collection they said was a mix of their personal histories — in their own words, “the sensuous and fiery qualities of Lazaro’s Latin roots coupled with the pragmatism and grit of Jack’s American experience.” Water, the duo said, was chosen as a symbol of life.

The collection, which notably featured more skin-baring or sheer looks than the designers usually present, opened with a selection of crocheted and fringed looks, including two dresses with sheer, crocheted skirts and fringed bodices. Later there was a shimmering gold crocheted ensemble of a sleeveless top and sheer skirt.

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